Thursday, 10 November 2011

'GOOD IS' - Chap names finalised.

Finally whittled down the names for the band. I've carried a theme of each of the having three names and a last name accompanied by some sort of title. Completely for entertainment purposes and to add more of a mick take joke to the bands persona.



Lord Honourable Felix Rupert Oswald Jenkins of Uketon
(backing vocalist, Lead Soprano ukulele)





MC Colonel Sherlock Torquil Archabold Crawford 
(Backing vocalist, MC, Rythme Concert ukulele)


Duke Winston Artemis Cuthbert Plecter
(Lead vocalist, Rythme Tenor ukulele)


Monday, 7 November 2011

'GOOD IS' - Tag line and product ideas.

BAND NAMES

The Jumping Fleas - original idea, jumping flea is the direct translation of the word 'Ukulele'

The Chaps
The Chap Sticks
The Chapped Lips


ALBUM TITLES

Come On Chaps
Pipe Up
Get Chapped
I Say!
Chaptastic!


PLAY ON PRODUCT NAMES

chap stick - chapstick
monocle - chapacle
cravat - chapat
handkerchief - chaperchief
goodie bag chap kit - chap in a box
chap apparel - chapparel
chap manifesto - the 10 chapmandments
tea - dechapanated, extra chapped
elbow patches - chapatchi

more to come

'GOOD IS' - Publication Design Plan

PHOTO SHOOT

location(s) - my house in the living room because its was built around the time that chap and gent fashion was at its peak and its quick and easy to access.
- Antique Boutique, small vintage clothing and antique shop on Woodhouse Lane, need permission to come in a shoot but would provide a visually interesting setting for the band to pose.


PROPS

- tweed jackets
- corduroy trousers
- striped trousers
- glasses
- monocle
- pipes
- flat cap
- trilby
- bowler hat
- bow tie
- formal tie
- cravat
- ukuleles, tenor, soprano, flying V


MODELS

Declan Geraghty
Shaun Somerville
Josh Dingsdale

LAYOUT

lok at 1920's layout and print methods to determine the aesthetic for the article
Sketch and mock up designs for the layout of the articles


COVER

considerations - make up a new music magazine or apply the cover work to several existing magazines to mock up different variations.


CONTENT

- Band members - names, roles in the band, profiles
- interview with the band
- album review
- gig review
- brief side article on chap hop
- section about their ukuleles

'GOOD IS' - Design Plan

DEVELOP LOGO

Illustrations of the 3 band members
1920's-1940's typefaces, art deco, black and white film era
Charlie Chaplin


APPLY LOGO TO PACKAGES

Look at different nets that would be suitable for the products I'm going to package
Work with them to create a trend throughout and develop the logo around them


TEST STOCK

Try out different stocks
Key variables - colour/ texture/ weight/ coated and uncoated/ matt and gloss/ foldability


DECIDE ON COLOUR SCHEMES

look at current chap fashion and old chap fashion to gather a colour range or at least an inspiration for colour choice


DEVELOP BAND AND MERCHANDISE NAMES

Brainstorm relevant ideas and developments for the band name/ album name/ song titles/ publication cover title/ product names/ event title for the gig/ band member names


ALBUM COVER

Needs artwork and vinyl print for the CD - also a booklet of art work/images - net needs to accommodate both CD and booklet


GLASSES PACKAGE

look at typical glass cases and see what would be printed onto them and how - use paper net to mock up


GIG GOODIE BAG

define content of the goodie bag and the context in which its delivered
in rough - pair of glasses/ moustache/ bow tie/ cut out ukulele/ badges/ stickers/ pipe (all or most will be cutouts/popouts

will be handed out either at the start of, the end of or throughout the gig so people can transform themselves into chaps for the duration or at a later date


TEA CUPS

Package tea cups apposed to standard mugs - traditional british tea cups and china aesthetic


ELBOW PATCHES

small plastic packet containing two patched that can be stuck on to any long sleeved garment - will come in a range of chap like colours


PLECTRUMS

consideration for printing band plectrums simply with their logo on them - could go in the goodie bag


T-SHIRTS

typical band merchandise consideration - even though of printing onto a tweed jacket


POSTERS

A1 and A3 posters
A1 on poster bollards round the city
A3 around shops, cafes, university institutions


FLYERS

A5 in cafes, in student unions, in clubs with a similar genre and music scene to the band.


BILLBOARDS

Mock up idea


PIPE PACKAGES

Pipe box or kit - possibly wooden or maybe fabric role up idea to make it more portable


TABACCO TINS

Look into current tobacco tin designs - mock up a novelty band tin design - might just use a current brand in reference for the publication.


HANDKERCHIEFS

short run print of square handkerchiefs with the band logo, embroidered and printed


PUBLICATION DPS

Publication cover art/image
reviewing and interviewing the band and their new album
photo shoot for images
adverts for merchandise
information on ukuleles that they play and their chap hop music genre
(publication will have a separate design plan)

Monday, 31 October 2011

Type Workshop 2

This session we moved on from a word to a sentence.

We briefly reviewed the last workshops key points

- choice
- serif, sans serif
- case weight
- size
- composition


Kearning

We discussed what Kearning is and where it came from and how it affects type.

Kearning in short is the space between two letters in a word.
Why do we need it? The group thought it was to do with legibility within different fonts and typefaces.

Computers have a preset kearning for each font - default kearning may not be communicating the tone of voice.


The spacing of the letters - asking for visually even space between them to get consistency.

Computers are good at this but not amazing.

Examples where you will need to kearn yourself

- logo
- branding

Has to be done because your logo and brand name has to be perfect.

Exercise 1 - your fist name sans serif, your second name serif - adjust the kearning.


Fonts used - Century Gothic regular, Cambria regular

They're only subtle differences but I think my name is well kerned to begin with.



No letter were able to overlap until the computer was used because it was based on metal type.


RAILWAY

the space between the L and the W is much larger than the spaces between the rest of the letters. However the letters are as close as they can be without them overlapping into each others spacing as if they were still metal letterpress pieces.

Changing the kearning is about making the word feel better and sit better on the page or screen.


Hiearchy of type (order of type) 

For example - you would put the information for a concert like this...

ABBA - Town Hall - £3.50

...but you wouldn't put it like this...

Town Hall - £3.50 - ABBA
£3.50 - Town Hall - ABBA

...this is to do with the way in which we receive information and how we respond to it. We see the Name of the artist or event first and become interested in the events whereabouts and price to attend.



The eyes are separate from the brain - the eyes look, the brain watches what the eyes see

Reads 1 2 3

We did a blink test, where you close your eyes and open them only briefly, for a split second and then say which of the words you read first.

Reads 2 1 3

We read 2 first because of the spacing around the word.

Reads 1 2 3

Size, weight and position control Hiearchy.

Reads 1 2 3 4

4 is the first thing you look at but 1 is the first thing you read. This is because your brain will read and recognise the easiest things to read first.

Reads 1 2 3 vertical 4 upside down 4

Similarly with this one the vertical 4 is slightly easier to read than the upside down 4 so we read it in that order despite seeing the other word first.

Reads 1 3 2

We read it this way because lower case lettering is generally easier for the brain to read and process but we notice the 1 first because its the first thing we see but then our eyes skip out the 2 and read the 3. We recognise shapes when reading, the word 3 has a more defined shape than the uppercase words.


Exercise 2 - 1 font 6 or 7 words from a song - how clever can you be making it read the right way even though you've got it wrong?





How do you break a sentence into two lines?

How do you break a sentence into two
lines?

How do you break a
sentence into two lines?

How do you break a sentence
into two lines?


The first two examples don't read smoothly and don't work very well but the third one does as it breaks the sentence up at its natural break. To find the natural breaks in sentences its often wise to say them out loud and listen for what sounds right.


Exercise 3 - use your sentence from the previous exercise and break it into two lines.



Tuesday, 25 October 2011

'GOOD IS' - Formats/Methods/Considerations

As a follow up to the Concept Proposal crit we had to refine our rationales and from this new specific rationale we had to come up with 5 formats, 5 methods of print and 5 considerations for print so we can then go away and investigate them by applying our designs to these lists.


5 FORMATS

1. A1 - poster - short run 50-100
2. A5 - leaflet - 5000-10000
3. A4 - magazine/lookbook/publication
4. Wood/Plastic
5. Canvas sheeting (waterproof)


5 METHODS OF PRINTING

1. Litho
2. Screen print
3. Digital
4. Laser cut
5. Pad print


5 CONSIDERATIONS

1. packaging and nets
2. die cut
3. emboss/de-boss
4. vinyl prints
5. 1920's and 30's layouts, stock and colours

Tuesday, 18 October 2011

Software Workshop 4 - Practice before print.

This is the last session of workshops, for What is design for print?

So far we have looked at Photoshop, Illustrator and Indesign.

This session is going to be about putting the things we've learnt into practice and so we can test how much we've learnt.
The aim is to creating something using the resources in the shared user file that will be suitable to send to print.

We were given this Indesign file to go over and check.





The first thing we noticed that was wrong was that the tree image had no link to it so it would cause problems when printing. To resolve this issue you would have to find that image and save it in the same file as the rest of the images to make the link.


Secondly, the first page of the document hasn't been bled off the page like the others and the tree image extends further than the bleed will allow so its again not printable.


Thirdly the number of printing plates was too many. The specification for this document allows just 5 inks and there were 2 extra spot colours which would need to be deleted from the swatch palette.


The fourth mistake was that the colour blue being used on the third page of the document is an RGB colour not CMYK which means it will come out differently when printed. You can change this by double clicking on the swatch and change the colour mode to CMYK in the pop up window.


The fifth, sixth and seventh mistakes are all to do with the images of the birds on the second page of the document. 


Bird 1 has been scaled down so the effective resolution has gone up which causes problems when printing, this needs to be amended in Photoshop. This means your working with an unnecessarily big files and that Indesign has more to do when sending it to the printer.


Bird 3 is still in RGB colour mode not CMYK so the colours will not print the same as you see on screen. You can change this by opening it up in Photoshop and 


Bird 5 is using the wrong resolution, its still in 72dpi which is for screen wen it needs to be 300dpi which is for print. This can easily be changed by holding down the alt key and double clicking the image and it will open up the image in Photoshop where you can change the resolution in the image size window. However Photoshop can only work with the original image so re-scan it or upload it.


Lastly, the text on the bottom of the last page is using the registration black instead of the normal black so that text will be printed on all the coloured plates which isn't what you want. The registration black is just for trim and print marks.




A lot of problems are cause by badly prepared images in Photoshop and incorrect application of colour in the document.




PREFLIGHTING (last minute checks before takeoff)


You can leave it as an Indesign file which is up to the printers, they may say its fine to work with. You will have to send all the images and fonts used on the document as well otherwise the document wont work when they try to print it. The best way to save them is to keep them all in folders, Indesign will usually create these folders for you.


Before printing you need to 'Package' your file, this will gather all your images, fonts and links along with your Indesign document. Before you click the package button in the pop up window you are presented with lots of information about the document the images, the fonts etc so you can see if everything is ok for it to go ahead and be printed. It will give useful information on where the files are on your computer so you can find them and also where they are in the document. This is a good opportunity to go over everything to make sure its all in check.


Saving as an Adobe PDF


File - Export - Abode PDF for print - save - Adobe PDF presets - press quality - export


it may take some time to export if there are lots of images or lost of information being compiled into the file.