Showing posts with label MONK. Show all posts
Showing posts with label MONK. Show all posts

Tuesday, 11 December 2012

End of module self evaluation OUGD301

BA (Hons.) GRAPHIC DESIGN
LEVEL
06
Self Evaluation
Module Code
Module Title
OUGD301
OUGD301
Name    Charlie Crosby

Date
12/12/2012



End of Module Self Evaluation


Overview

At the beginning of this module I set out to focus my practice on branding and identity. However, throughout the module I have picked up on many different skills and techniques that have inspired me to be more innovative, experimental and self-challenging. I’ve really enjoyed the briefs that I’ve written and selected to work on which is a pleasant change, as I’ve not always engaged with the set briefs during level 4 and 5. To write my own and develop them has been a great opportunity to explore the creative opportunities around some of my favorite topics and learn more about others.


Specific skills development.


Book binding – I’ve always had an interest in book binding since my first workshop in my foundation year at MMU but I’ve never really developed it as a skill or put it into practice. Some of the briefs I’ve been working on this term have pushed me to work with publication or editorial design that has lead me to learn more about book binding and getting a good quality bind. Perfect binging in particular has been a style of bind that I could never really master until this year. I would like to work more with book binding for its hands on craft element and the satisfaction of having a hand made, high quality product.

Laser cutting – before level 6 I had never used a laser cutter, nor did I know how to prepare documents for laser cutting or even the possible outcomes and materials that can be used. The reason for leaving it so late to learn this skill was mostly down to thinking it was too difficult or long winded to learn which put me off it in the past. However, I forced myself to try it for my MONK brief as it would fit with the aesthetic and branding I was going for and it proved to be much easier and straight forward than I had first anticipated. Once I was taught the basics for what I wanted to do and how to prepare the content and files it was incredibly easy and I even found myself showing others how to use the facility shortly after. It’s definitely a valuable process to learn about and I plan to experiment with different materials for future briefs.

Foil blocking – this is a tricky print finish to perfect and it didn’t always come out very well when I tried it, so essentially its still a skill that I am developing and learning about. I don’t like to use foiling unless it ties in really well with the concept of my design. For the VIEW brief it became an integral part as I was working with holographic foil and the design was based on holography and the process of creating holograms.

Embossing – embossing is one of my preferred print finishes as it gives any brand a unique and bespoke feel. I looked into copper plating and woodblock press embossing but never practiced them for any of my briefs. I did how use embossing tools and do a lot of it by hand for the BIKOLOGY brief.

Screen printing – with screen printing its hard to get it right each time with so much to remember in the process and there are so many specifications and considerations. On top of this there is so much room for experimental screen printing that it’s hard to refine it. With my collaborative I investigated screen printing onto fabric which isn’t too dissimilar to printing onto paper. The technique is the same but it takes some practice to get a good knack for it.



Strengths

Concept development – I find that I enjoy my work a lot more when I work to a concept and have it echo throughout my branding and design choices. This is a real strength as It justifies why I’m doing everything I’m doing. The development process is different for each brief I undertake but I think it’s been a pillar for my briefs and something that I’ve really got to grips with.

Logo design – in the past I wouldn’t have said this was a strength but the way I look at a brief and the things I’ve began to consider when analyzing briefs and has improved massively this term which has improved my logo designs.
Brand and Identity

Time and project management – This hasn’t been a massive strength but I have made a significant effort with it for this module and I’ve managed to get the majority of my work to a standard that

Illustrator – I’ve become very well acquainted with Adobe Illustrator and I work best with this particular software to produce a massive amount of work quickly. It’s been a key tool for my development of logos and applying the various brandings across different media and print formats.

Time management and organization when working with others – I asked Marty what he thought my main strength was when working together and he said that I was good with managing my time and getting things done. If I need to do something I got it done, I wouldn’t start it and leave it unfinished. Also I would work efficiently and rationalize a lot of the collaborative work in order to get the job done. I do agree with this somewhat but I’d say it could also be considered as a restrictive trait that may hold me back sometimes from being innovative and pushing my briefs further through taking risks.


Areas for improvement

Editorial, type and layout – this is something that I would normally steer clear of but on several occasions in my briefs for this module I have found myself wanting to create a deliverable that is focused around type and layout. Along with book binding I would like to develop my skills in type setting to broaden my skillset and develop myself as a well rounded designer.

Project management – my project management has been fair but it still needs a lot of improvement. I think that I need to be strict with myself when planning to work on several briefs at the same time.

Design for web and screen – so far my design work has been orientated around print and I’ve focused on developing my knowledge and skills in different processes. It’s become clear that I need to work more on digital design and design for web. I would like to focus on methods to link print and digital to push the boundaries of the two closer together.

Presentation – I think my presentation of my work has greatly improved but still I think that my submission boards could be improved greatly if I had placed the text down the left hand side in a column and broken each board down into more specific parts of the brief. The content I’ve written for them in hindsight was perhaps a bit too general and could have gone into greater detail.

Consider more – take into account the possibilities of final outcomes more towards the start of the design process to save time when developing my briefs.


Things I would do differently

Research more thoroughly and in a structured fashion to gather information about my subject and relate it to contextual influences to inform my design decisions. Research is something I can either neglect or get lost in, it’s never a sensible medium. I think this may be down to project management but I would probably spend a specific amount of time researching and defining design approaches, print finishes and production methods

I would have been more proactive with taking my designs from screen to print, being around some of my peers I’ve picked up on the different ways in which they work and develop their designs and I feel that I definitely would have pushed all my brief further if I had done more test prints and made critical developments and design choices. The editorial and hand crafted products that I produced definitely would have benefitted from this sort of practice.

Take on more small briefs and one day projects. Although I didn’t respond to some of the briefs I undertook in a way that I had originally wanted to because of the time constraints, I would have liked to have still challenged myself to some smaller briefs alongside the bigger projects.

I would definitely have made more use of the facilities at Vernon Street for binding more publications and getting copper plates made to experiment with more processes and finishes.

I would definitely use InDesign more and work more often in the software where it’s appropriate. I have had plenty of workshops in the software but rarely use it and now is the time to put it to good use. Over the coming months I want to greatly improve my type and layout skills and knowledge to develop my confidence so I can take on live briefs that require those skills.


Summary

Overall I have really enjoyed the briefs I’ve worked on this module and I feel a massive improvement in the quality of my work. There has been a definite shift in my motivation, attitude and approach towards designing and developing my work. I plan to keep this positive note up and carry on through into FMP. I have high hopes for my FMP and the development of some of the work I’ve started this term with potential collaborations and extensions of briefs and also live, freelance work on the horizon.



MONK - Final submission boards

Saturday, 8 December 2012

MONK - Photographing for submission boards and photo editing

I've photographed the deliverables on the same stock as some of the business cards. It's given it a nice contrast to the lighter deliverables whilst still keeping the business cards visible.


I've included some wooden stirrers to mock up for the boards.


I want to show the the skills and processes that I've leant and developed throughout the brief so I've included some images of the facilities to properly communicate this. 










Friday, 7 December 2012

MONK - Wood work / venue masthead

I've had to try a little bit of wood work to finish the mast head sign. This isn't a skill I was expecting to develop and I didn't even consider it in  the initial brief. But the design and production process choices have lead me to try it.

It's surprisingly straight forward and quite enjoyable. I wouldn't mind doing more of it for future briefs or personal projects.



Tuesday, 4 December 2012

MONK - Photographing the bottle and the range

Photographing the bottle isn't easy as I want to show it off to its full potential. With it being a 3D object it can create a great contrast to the flatter objects however it's a struggle to get the details of all the deliverables into a shot without lying the bottle flat.





I took some advice to fill the bottle with cold tea to make it look like real whiskey and I finally got a shot I'm happy with.


MONK - Bottle label / designing for alcoholic products

This is the design of the spirit bottle label. I'm printing it onto vinyl because it'll be easier to apply to the bottle. One thing I've learnt through this deliverable alone is that you have to design with the government standards of law. You must include reference to the fact that it's not a suitable product for pregnant women and you must also include the volume of alcohol as a percentage. Alongside this you must state how many units are in the bottle and promote responsible drinking.

So I've designed a small vector logo to show that pregnant women shouldn't consume the product and some information that directs buyers to the drink aware website.


Monday, 3 December 2012

MONK - Laser cutting / Venue masthead

The laser cut of the mast head came out much better than I had expected. The white oak board that I used burnt under the laser and has created a sort of drop shadow effect on the type. It also has a slight gloss to it because oak caramelises when charred. It's interesting how its turned out because it adds to the warm and welcoming tone of voice that I was trying to achieve initially. There is a lot of relevance to whiskey brewing and distilling within this particular deliverable. Whiskey makers pride themselves on doing it lovingly and crafting it. This is echoed in the hand rendered bespoke logo and the skilfully crafted cocktails that Monk create and serve.

 



MONK - Laser cutting business cards

Tried a new technique which and learnt how to laser cut. It's fairly simple to master but I could see where its easy to go wrong and make mistakes. Setting up the document on the software was the first hurdle then aligned the laser cutter to get it cut accurately and efficiently. There's a lot of possibilities for laser cut products so I'll be practicing and developing this in my FMP.




Thursday, 29 November 2012

MONK - Matchstick holder freebies

I picked up some mini match stick holders from Oporto on Call Lane which they get made with their logo and address on which I though could a be a quick and simple deliverable to add to the project. It's quite an appropriate little 'pick me up i'm yours' freebie as many customers will be likely to smoke during their visit to the bar and even though the have to go outside to smoke by law, they can still take a little bit of the branding with them. Also, others may need a light for their cigarette and they may ask for a lighter. When someone offers them one of these instead they are effectively passing on a bit of the brand.





I've already measured up the net for this little package and it'll be easy to print and assemble.



MONK - Printing matchstick boxes

Finally got back into this brief after leaving it untouched for a week or two. I really need to start producing more work for this as it's a live brief and I don't want the client to feel neglected or that I'm a slow worker.

I've got the designs ready to go for the mini matchstick box so I just went for it a did some test prints.




The first set I printed looked fine until I actually folder them. They logo was upside down on the package so I had to amend them and reprint. I'm quite pleased with the result and the overall idea.


Wednesday, 28 November 2012

MONK - logo development

I've been working on the logo for a while and I've had to research more into the Georgian era to inform the finishing touches to the design.

I've used a decorative approach that reflective of Georgian architecture and and furniture with its symmetry and curves. I've used glyphs to create the decorations but they consist of only 'o's and '~'s the circle is a representation of the wholesomeness of the bar and the well rounded attitude to the craft of cocktails and the customers quality of experience. The wave is use to imply the flow of the alcohol and the fun ride that the customers experience in the eclectic environment.






Tuesday, 13 November 2012

PROGRESS TUTORIAL - with Andy

This was the first time I've really spoken to Andy one on one so I didn't know what sort of feedback I'd get from him as he'd be seeing my work up close for the first time.

The tutorial went really well and we overran which was a massive help for me because I get loads of really good quality direction for my work and advise and ideas. I came away feeling like I'd gotten the feedback I'd been searching for in my crits but never got.

Talking through my briefs, I find, always helps me articulate myself better and understand my own work better. The briefs almost develop as I talk about them and Andy and I got a good dialogue going quite quickly.


First up was my collaborative brief with Marty. I explained the trouble and development the logo had gone under and the mission statement of the company. He seemed to think it was going well judging from his reaction. When I was going through the concept of the company name he touch on the meaning of the word Obediah - servant of God - being a suggestion that we aim to create a following of some sort which he approved as an idea. I've taken this into consideration and I think it would be an interesting insight into how we want to expand and keep in touch with our existing customers via social media.

Recently I've realised that the MONK brief needs to be much further a long and I think a big thing thats holding me back is the lack of direction. I've got ideas but no real information thats helping me pin down whats appropriate and necessary for this brief and also the client. The brief could have so many deliverables and so many different responses at this point that Its a struggle to design for it. Andy advised me to get a few of my best ideas down and present them to Mannie (the client) and get his opinion. Going over the ideas I've already had with the brief Andy has helped greatly with my deisng direction. I just need to get it rolling.

For the VIEW brief I feel that I have a really concrete concept for the design however it needs to be more innovative and cutting edge to reach it's true potential. I just need to go back to the drawing board and tweak bits and try a few other ideas. Time is obviously a factor and I need to begin getting the content together and producing prints. Andy has left me with some really interesting ideas and useful links to look into stock choices and print finishes so I've got a lot of fun experiments to come in the next 2 weeks with getting the processes down and developing my print knowledge and skills.

The BIKOLOGY brief is still in its early stages as the focus has been on the more substantial and valued briefs but we went over the feed back from the concept crit and discussed the possibilities for my design work. The word bikology is a bit of a gift as the o l o sit next to eac hother and look already like the wheels and seat of a bike. I noticed this at first with my initial logo design but Andy has suggested that I try a more subtle approach and incorporate different bits of imagery into the logo. He also mentioned fixed bike blogs and the cult followings and designs that come with them as they can be a great reference and guide on what to do and what not to do.

For my competition brief I've finally chosen the YCN Bacardi brief on the grounds that I like alcohol, I'm the target audience and I've had a lot of experience in night clubbing and working in clubs and bars. I'm really interested in the heritage of the brand and the ways in which alcohol is made and I want to approach this brief with a sophisticated tone of voice that has an undercurrent tone of humour to make the young audience of boys feel like men but remain amused. Andy gave me some starting pointers, food for thought.


Plan of action:

OBEDIAH
 - apply logo across the branding
- get the branded collateral printed
- finalise specifications for photoshoot
- get all shirts needed for the shoot printed and ready
- get feedback on the shirt designs

MONK
- get ideas down to present the Mannie
- email Mannie pdf
- create imagery for printed collateral
- get content for menus from Mannie
- finish the logo and apply across the branding
- get brand collateral printed

VIEW
- develop typeface further and make more appropriate to the current branding
- get content together
- gather stocks for test prints
- experiment more with print finishes
- produce range

BIKOLOGY
- redesign and develop logo to be more subtle
- look at bike blogs and graphics for bike designs
- gather content for magazine

BACARDI
- research into the brand 1 day
- get ideas down for campaign 1 day
- choose idea and develop 1 day
- design the campaign and develop 1 day
- produce, amend, select and evaluate 1 day

Thursday, 8 November 2012

CONCEPT CRIT 2

I felt like I had developed a lot more design work for this crit so I was hoping to get some more formative feedback. I didn't however manage to provide up to date briefs or show the responses to the last crit which I think really could have helped and changed the feedback I got.

These are the new crit boards, I've kept the same format for consistency but I've changed the content.



The first part was interesting because it gave us all time to look around and see everyones work and what they are up to and leave brief informal comments on their work. I left 5 questions with my work which I wrote quite last minute but they were all concerns that I have about my work so far.

Questions:

1. For the BIKOLOGY brief, do you think the logo is appropriate/ good or would it be improved by keeping it typographic?

2. For the OBEDIAH brief (t-shirts) could you please pick your most preferred designs? (mark with a tick)

3. For the VIEW brief, does the 'holography' logo look like it's too much? If yes, should I stick to just the letter 'H' logo?

4. Do you think the iconography goes well with the MONK logo?

5. Please see the OBEDIAH logo board and follow instructions. (board below)


Marty and I put together a board for the logo development of our collaborative brief so we could get some opinions on it and the development from the previous concept crit.





I felt like this crit was a massive hit and that my designs aren't up to scratch. The concepts aren't there or are too weak and not obvious enough. There's also a lot of my work that people think could be more innovative.

Marty and I are going to readdress the logo for our collaborative brief. We're not goin gto scrap the current one but make it into a shirt design instead because people seem like it as on a shirt, it draws them in and looks cool but it doesn't function well as a logo and it's holding us back from completing the rest of the brief.

With the monk brief I really need to just get on with it and keep a better conversation going with Mannie to make sure I designing something he wants and thats appropriate.

The holography brief needs to be pushed forward and the type needs more development, the concept/ reason for the design is sound but the actually aesthetic needs to be more appropriate to the company branding and more original.

The bikology brief to again be pushed forward and the logo is too typical and obvious, I needs to be more innovative so more ideas and experiment needs to be done before deciding on a final logo.


I really want to be pushing the briefs forward right now and be collecting the content together for the publications and experimenting with print processes.

My first plan of action is to get the briefs updated and write up the concepts I've been working with so people criting my work can better understand what I've been doing and thinking about.